Jennifer Jackson duBois

Jennifer Jackson duBois is a novelist from Massuchesetts; she has been with Texas State since 2013, and an Associate Professor of English since 2015 when she won the Alpha Chi Favorite Professor Award. DuBois teaches creative writing at the undergraduate level, as well as MFA fiction workshops and literature seminars. She has been awarded several honors including the Williston Northampton Alumni Trailblazer Award in 2017, the Texas State Presidential Distinction Award in 2019, and the College of Liberal Arts Achievement Award for Excellence in Scholarly/Creative Activity in 2020. 

Before she came to Texas State, duBois received a BA from Tufts University, an MFA from the University of Iowa, and was a Stanford University Stegner Fellow. duBois served as a tutor, instructor, and lecturer during her MFA program and Stanford fellowship; additionally, she was selected to teach a competitive undergraduate fiction workshop at the University of Iowa, as well as receiving a competitive teaching-writing fellowship the year before.

As early as 2008, duBois’s work began hitting the wide world of publications, her short stories and essays being featured in The Wall Street Journal, The New York Times, Playboy, Salon, Lapham’s Quarterly, American Short Fiction, The Kenyon Review, Missouri Review, The South Carolina Review, The Florida Review, and The Northwest Review, to name a few. In 2012, duBois presented her debut novel, A Partial History of Lost Causes“loosely based on Garry Kasparov” and set against the sociopolitical upheaval and transition of Russia over the past three decades. This debut won critical acclaim earning her the California Book Award for First Fiction, Northern California Book Award for Fiction, Whiting Writers’ Award, and the National Book Foundation 5 Under 35 Award; the book was also a finalist for the PEN/Hemingway Award for Debut Fiction. Her next book, Cartwheel“borrowed themes from the Amanda Knox case” and earned the Housatonic Book Award for fiction as well as making it as a finalist for the New York Public Library’s Young Lions Award. Her third novel, The Spectatorswas inspired by the backstory of a “beloved progressive politician before he became the king of trash TV.” The Spectators won recognition from the Civitella Ranieri Foundation as well as a grant and recognition from the National Endowment for the Arts; the book was also published in Spain as Los EspectadoresHer most recent novel, The Last Language, was published in 2023 and “actually began with a set of philosophy of language questions” tinged with “the desire to write a love story with a serious intellectual plot.” This latest novel has received positive reviews from Kirkus (starred review)Publisher’s Weekly, and Shelf Awareness.

A fifth novel is in the works, “but it feels like there’s a core question still missing from this novel idea” – and questions are vital to duBois’s works that are “not trying to persuade a reader of a set of answers as much as interest them in a set of questions.” Through techniques of “Secrets, Suspense, and Revelation” (one of her original Problems Seminars) as well as narrative strategies (like conflicting or unreliable narrators), duBois engages with controversial issues of politics and ethics that captures the complexity of a complicated world. The characters and settings in her novels are all uniquely distinct, dealing with different shades of disability, identity, scandal, and crime that insist the reader “sit with their own conclusions, but also with the infallibility of those conclusions … [to] consider the possibility their own interpretation was wrong, and what it would mean in the moral universe of the book if they were.” Each novel draws from real-life events that “sparked or engaged with some deeper question” that duBois found baffling: “how do you proceed in the face of a lost cause? How fundamentally can a person change over the course of a lifetime? And how is it that reasonably intelligent, well-intentioned people can look at the exact same set of events and come away with wildly divergent, yet similarly confident, interpretations?” 

The importance of considering these sorts of questions is reflected in the original courses created by duBois which explore various Problems in Language and Literature such as narrative structure, ethics and politics in fiction, and the first-person novel. Over the course of her career in English studies and the many theses she has advised and supervised, duBois seeks- to model “intellectual curiosity and openness – the idea that diversity of literature is a gift, that no work of art is for everyone but any work of art might be for anyone.”

Dr. Leah Schwebel

The first time I met Dr. Leah Schwebel was when she walked into my undergraduate Chaucer class and talked about The Canterbury Tales as if there was nothing else in the world more important than literature. We were studying a variety of tales from Chaucer’s famous The Canterbury Tales, which I was not familiar with at the time, when she asked the class “what did you think of the Wife of Bath’s Tale?”

Confident about reading and analysis of the tale, I proudly raised my hand and spoke, “I was really surprised by how pro-feminist this tale was.”

She looked at me, a twinge of excitement building up on her face, and stated, “I am going to prove you wrong.”

That is when I knew I had found myself in the presence of my future mentor. Dr. Schwebel has this magical way of igniting the love of reading literature in her students. I was hooked on her teaching style and enthusiastic to learn everything she could offer. As an undergraduate student, I took three courses with Dr. Schwebel and wrote my honors thesis under her guidance.

Dr. Schwebel’ s primary research focus is studying the ways in which Chaucer translated Italian poets and how those Italian poets translated Latin poets. She is interested in the ways in which every generation retells stories that came before them and authors recreate and transmit familiar narratives, such as those of Thebes and Troy. Understanding signs of one author’s work in another, as well as capturing the ways in which an author makes a story their own, is her aim.

At Texas State University, Dr. Schwebel teaches several courses, including a graduate and undergraduate seminar on Chaucer, Dante, Boccaccio, and the Development of English. She was a recipient of the 2018 Research Enhancement Project grant, and a three-time recipient of Alpha Chi Honor Society’s favorite professor Award. She was tenured in 2020. Dr. Schwebel’s presence goes beyond being an instructor and a renowned researcher. Her book on Chaucer and the Italian tradition is in its final stages of revision and will soon go into production, and she is working on an article about exemplarity and the figure of Griselda in medieval literature. Her personal hobbies include carpentry, triathlon, and cooking. She is currently training for a half ironman in December and a marathon in March. She lives with her wife, chef Jo Chan, and their two dogs, Luna and Blue, in Austin.

During the summer of 2022, Dr. Leah Schwebel taught a graduate seminar on Dante Alighieri’s Divine Comedy, which I attended as a student. A focal point of this class was our Commentary Project, which we developed alongside our study of the medieval commentary tradition, and particulary commentaries on Dante’s work. Examples of commentaries on the Divine Comedy include databases such as Digital Dante, Dartmouth Dante Project, Princeton Dante Project, and more. Commentaries present us with a wealth of questions and interpretative challenges. Databases which preserve these commentaries allow the Divine Comedy to stay relevant across centuries. Dr. Schwebel recognizes that there is a wealth of knowledge on Dante, which makes students “sometimes feel like their interpretation or reading is insignificant or doesn’t have value.”

Using the online nature of the seminar, Dr. Schwebel proposed that the students work on a semester long project: writing an online, English commentary on The Divine Comedy. One of the major challenges for students studying The Divine Comedy is the lack of commentary or scholarly research accessible in English (most commentaries are in Latin and Italian). As a student, it was our undertaking to research existing scholarship on Dante’s Divine Comedy, in particular on the Inferno, and to develop our very own collaborative commentary on the work. My peers and I agreed that the best method of compilation was to make our own website. In a span of eight weeks, we were able to create The Divine Comedy Humanities Project website and successfully gather multiple research efforts to compile commentary on all 30 Cantos of the Inferno. The goal of The Divine Comedy Humanities Project is to separate each canto and provide research and analysis for every single line.

The focus for this project was divided into individual interests of the class. Students focused on Historical analysis, Greek/Roman Allusions, Feminist analysis, Musical analysis, and more. The breadth of our interest allowed us to incorporate our own interpretation of the text. Dr. Schwebel explained that this project was a way to take advantage of the online nature of the course and produce a collaborative project that exploits the varying strengths of the students. Dr. Schwebel’ s goal is to have many of her students- both graduate and undergraduate- to contribute towards the expansive possibilities of commentaries on the Divine Comedy. What is more, it always going to be an “un-finished project.” New scholars, new readers, and new students will all bring new interpretations, and this commentary website has space for them all.  

As a student in the Dante seminar course, I was able to engage with the text in ways that I had never though possible before. My focus for the project was on Greco-Roman mythology and political allusions. Often, I found myself in rabbit holes learning so much about the world that Dante drew his influence on. I was stunned to learn the literary and historical depth that Dante weaves into his writing. I had taken a course on Dante as an undergraduate before, but the graduate seminar opened doors for me in multiple intellectual ways. As an undergrad my engagement with the text relied heavily on analysis and interpretation, whereas in the graduate seminar Dr. Schwebel really encouraged me to be more authoritative in engaging with the text. Something that I learned in this class was how to be confident in MY interpretation of The Divine Comedy- which is a very daunting task to do given the predecessors on commentary. Overall, this course was one of my favorite seminars I have taken (outside of Chaucer) and I am so lucky to have grown alongside Dr. Schwebel’s mentorship!

Amrin Madhani is student in the M.A. in Literature Program and currently works an Undergraduate Admissions Counselor at Texas State University.

Naomi Nye Elected to the American Academy of Arts & Sciences

Texas Sate University is pleased to celebrate Naomi Nye’s election to the American Academy of Arts and Sciences, one of the oldest and most esteemed honorary societies in the United States. She is among 252 people chosen by the American Academy this year, and the first ever elected from Texas State.

Nye writes she is “deeply proud to be affiliated with Texas State and the students in Creative Writing.” Nye teaches Masters of Fine Arts graduate student workshops in creative writing and also has open workshops for students interested in writing fiction.

As a poet, novelist and songwriter, Nye has authored or edited more than 30 books, including three novels and 12 collections of poetry.  In 2020 she was honored with a lifetime achievement award from the National Book Critics Circle. She has won four Pushcart Prizes, the Jane Addams Children’s Book Award, the Paterson Poetry Prize and many notable book and best book citations from the American Library Association. She received the Robert Creeley Award in 2013 and received the 2013 NSK Neustadt Prize for Children’s Literature.

Her collection of poems for young adults, “Honeybee,” won the 2008 Arab American Book Award in the children’s/young adult category. Her novel for children, The Turtle of Oman, was chosen both a Best Book of 2014 by the Horn Book and a 2015 Notable Children’s Book by the American Library Association. Nye was named Young People’s Poet Laureate by the Poetry Foundation in 2019 and was awarded the 2019 Lon Tinkle Award by the Texas Institute of Letters. Her most recent books of poetry include, Cast Away: Poems of our times (Greenwillow Books, 2020); The Tiny Journalist (BOA Editions Ltd, 2019); and Voices in the Air: Poems for Listeners (2018; Greenwillow Books, HarperCollins).

In 2018 Nye donated her literary papers to The Wittliff Collections at Texas State.

Founded in 1780, the Academy honors exceptional individuals in a variety of fields and convenes these leaders to advance new ideas and address important issues toward the public good. Members include some of the most accomplished voices in the arts and humanities, social policy, education, global affairs, and science and technology. Notable members from the Academy’s history include Margaret Mead, Jonas Salk, Barbara McClintock, John F. Kennedy, Martin Luther King, Jr., Aaron Copland, Martha Graham, John Hope Franklin, Georgia O’Keeffe, I.M. Pei, and Toni Morrison.

“We are honoring the excellence of these individuals, celebrating what they have achieved so far, and imagining what they will continue to accomplish,” said David Oxtoby, President of the American Academy. “The past year has been replete with evidence of how things can get worse; this is an opportunity to illuminate the importance of art, ideas, knowledge, and leadership that can make a better world.”

John Adams and John Hancock were founding fathers of the Academy along with 60 other scholar-patriots who understood that a new republic would require institutions able to gather knowledge and advance learning in service to the public good.

Dr. Sara Ramírez

An interdisciplinary Chicana feminist teacher and scholar, Dr. Sara Ramírez connects with her Mexican heritage through analyzing and appreciating Chicanx literature. She is currently an Assistant Professor of English at Texas State University where she explores the representations and identities of Chicanx artists and their works. Dr. Ramírez comes from a working-class background, and she is a first-generation college graduate and daughter of immigrants from northern Mexico. She credits her parents as her first teachers who inspired her to pursue a career in higher education.

After attending K-12 public schools, Dr. Ramírez went to the University of Notre Dame where she earned her bachelor’s degree in English with a pre-med concentration. Initially, she entered college with the intention of attending medical school to jump-start her career in gastroenterology. However, she was enamored with English literature and reflected on her career path. Dr. Ramírez states, “I took the MCAT and began applications for medical school, but I realized I liked writing and thinking about literature a lot more.” She notes that Melville, Whitman, and Thoreau were some of her favorite authors to study during her undergraduate degree.

Encouraged by her undergraduate mentor Dr. Theresa Delgadillo, Dr. Ramírez decided to continue her English studies under the mentorship of Dr. Sonia Saldívar-Hull at the University of Texas at San Antonio’s graduate program.  Dr. Ramírez found her passion for Chicana feminist literature while working under the renowned scholars Dr. Saldívar-Hull, Dr. Norma E. Cantú, and Dr. Ben V. Olguín during her English master’s degree at UTSA. She also “trained with intellectual giants” during her second master’s program and doctoral program in Comparative Ethnic Studies at the University of California, Berkeley. Her mentors included Paola Bacchetta, Evelyn Nakano Glenn, Michael Omi, Laura E. Pérez, José David Saldívar, and Ronald Takaki. In her interview responses, Dr. Ramírez emphasizes her gratitude for her mentors, “I give you these names as one way to honor my academic and professional lineage. No one does this kind of work alone.”

Upon completion of her advanced degrees, Dr. Ramírez enrolled in a postdoc program at the University of Minnesota and applied to Texas State University to work as an English professor. At Texas State, she teaches numerous courses that highlight the narratives of Chicanx authors and women of color. In particular, she is looking forward to teaching an undergraduate course on women in literature in the spring of 2021 where she will “[travel] through time-space” with her students. This course is an extension of Dr. Ramírez’s ongoing research that she describes as an examination of the “sociopolitical and psychological significance of cultural productions by queer Chicanx artists, who strive to decolonize ontological assumptions through their works.”

Dr. Ramírez’s research is outlined in her manuscript that is tentatively titled Lo/Cura: Expanding Subjects of Trauma and Chicanx Cultural Productions, which samples and analyzes the creative works of Gloria E. Anzaldua, Virginia Grise, Adelina Anthony, ire’ne lara silva, Andrea Muñoz Martinez, and Sarah Castillo. Additionally, Dr. Ramírez is working on research that evaluates the effect of the COVID-19 pandemic on faculty of color in the United States. Because of the pandemic, she had to postpone her research in Galveston on a nineteenth-century Mexican-American visual artist who she believes is the inspiration for Luis Gonzaga in Jovita González’s historical novel Caballero.

Delainey Alexander, Department of English Teaching Assistant and M.A.in Technical Communication Student

Cyrus Cassells

“In my travels, I have often stumbled upon new, unexpected topics,” explains Texas State Professor of Creative Writing Cyrus Cassells, recounting the global journey he embarked on last year, supported by a prestigious Guggenheim Fellowship. According to the John Simon Guggenheim Foundation, this fellowship is “intended for individuals who have already demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.” The award is given to applicants from the United States and Canada, allowing artists and scholars to dedicate time to their work. An accomplished poet, Cassells often finds inspiration for his writing from “music and visual art, particularly painting”; and notes that he is “an avid student of history and languages,” a passion that accompanied him as he explored the cultural and geographic homes relating to his current projects. Spending much of his time abroad during his fellowship, Cassells visited such places as Spain, Italy, Mexico, and the Hawaiian island of Molokai. Cassells describes the effect “walking in historical places and looking at visual art” had on his writing, noting that travel is “always a great source of inspiration for [his] busybody mind and pen.” His inspiration from the arts shines through his selection of music and art as poetic sources. This is reflected in the title for his new volume, Dragon Shining with All Values Known, which is a line from the song “Trouble Child,” sung by Joni Mitchell.

Cassells says that his “Guggenheim project … explores poles of faith and politics” and includes a section inspired by his research on Father Damien, “a 19th century Belgian priest who worked in a leper colony [on Molokai].” Over the summer he spent exploring Europe, he went to “Rome for a month to look into the beatification of Father Damien, who is now Saint Damien.” This research informed his trip to the Hawaiian Island of Molokai, where he further studied the priest’s life. His writing and research supported a series titled “The Going of the Inland Soul to Sea,” included in his newest volume. Cassells’ interest in Father Damien’s work and legacy is reflected in his project’s focus “on the timeless influence of the 19th century priest … as his altruistic legacy pertains to the global HIV/AIDS pandemic.”

Over the summer months he spent in Spain and Italy working on these projects, he also completed a collection of poems that strays from his typical style and voice. The project is titled The World That the Shooter Left Us (to be published by Four Way Books in 2022) and explores the politically charged topics of gun violence and border issues, new subjects for Cassells. He explains the collection was his “response to the ‘Stand Your Ground’ killing of a close friend’s father and to the continuing detention of children in the border crisis.” This “new, overtly political mode” has been described by readers as “ferocious,” comprising the work in but one of the completed projects Cassells plans to publish after the experiences gained from his fellowship.

While abroad, Cassells often found himself writing in these new modes or surprised by the inspiration he found from his surroundings. His trip early in 2020 to Mexico City and Tepotzlan, Mexico, places he had visited before as a teenager, led him “by coincidence …  to staying with a documentary filmmaker, who lives directly behind the legendary blue house and museum of the great, internationally revered painter, Frida Kahlo.” This surprise in his travels developed into a rich cultural backdrop outside the window of his Mexico City writing desk: he “could directly see into Frida’s fabulous garden from my desk and bedroom window.” This exposure developed into an ongoing work for Cassells on Kahlo and her first love, Alejandro Gomez Arias, which he attributes to the proximity to Kahlo’s former home.

Among Cassells’ other current projects and travels are his exploration of New York City streets in his in-progress novel written in verse, called Reindeer in a Sunshine Land, and set in late 19th/early 20th century; and his two-month stay in Spain last summer to “work on a project related to Federico Garcia Lorca, the great Spanish poet and playwright (1898-1936).” Cassells also completed his first chapbook of poems during his fellowship, More Than Watchmen at Daybreak, which was published this April by Nine Mile Books and details his stay in a Benedictine monastery in New Mexico. He also signed a contract to publish Is There Room For Another Horse On Your Horse Ranch?, a finalist for the 2019 National Poetry Series Award; this collection will be published by Four Way Books.

Cassells’ Guggenheim Fellowship is only the most recent of the many prestigious awards he has earned, including the William Carlos Williams Award for his second collection of poems, Soul Make a Path Through Shouting (1994); a Pulitzer Prize nomination for the same title; and other fellowships including the National Endowment for the Arts, and the Rockefeller Foundation.

 

 

-Kennedy Farrell, English Major

Dr. Octavio Pimentel

February 2015

After interviewing with other universities across the United States, Dr. Octavio Pimentel accepted an offer from Texas State University. “The obvious change coming to Texas State [from the University of Utah],” Dr. Pimentel explains, “was the cultural thing; I come here and… you have every color; it was nice to see the diversity, not just in ethnicities, but in physical appearance in general.”

Before joining the English Department at Texas State, Dr. Pimentel attended California State University in Chico, where he received his BA in English and Spanish, and an MA in Composition Studies. He continued his career as a doctoral student at the University of Utah, where he received his PHD, studying the social foundation of education, with an emphasis on rhetoric and composition. Since his arrival at Texas State in 2005, he has received numerous awards, most recently the 2014 Texas State Excellence in Diversity Award. Many of the classes Dr. Pimentel instructs are a direct reflection of the diversity this award supports: Language Problems in a Multicultural Environment and Writing for Social Justice, among many others.

In addition to teaching, Dr. Pimentel is a widely published scholar, and just as his courses are a reflection of the Diversity Award, so is his scholarly work. For example, “Shrek 2: An Appraisal of Mainstream Animation’s Influence on Identity,” published in the Journal of Latinos and Education in 2009 discusses the presence of constructs and discourses present in Shrek 2 that perpetuate existing stereotypes, specifically of Latinos and African Americans, in Shrek 2. Two pieces that are currently in progress also maintain this cross-cultural theme. One is a manuscript exploring the variation in definitions of success across cultures. It explores the idea that success is multidimensional and cannot be restricted and defined based on one perspective simply because it is the dominant one. The other piece, which will appear in English in Texas, discusses the need for cross-cultural awareness and inclusiveness in writing centers. Both articles emphasize the importance of recognizing cultural diversity as well as its impact on society and, more specifically, on students.

It is clear that much of Dr. Pimentel’s writing is inspired by experiences and observations he has had as a professor. Discussing the situation of incoming students, particularly freshmen, Dr. Pimentel parallels their experiences and expectations to those of collegiate athletes. “Imagine a good high school player, getting MVP and everything, but then they go to college; most high school players will do terrible in college [and] it’s kind of interesting what sports teams do: they red-shirt you” — they give new players some time to feel things out before really joining the team. In essence, when good students get to college, they tend to be over-confident, and then, after having a rough time during the first round of exams, they get discouraged. “You come here,” Dr. Pimentel continues, “you’re still a high school student; you’re going to get beat up a little bit, but it doesn’t mean you won’t be successful.”

Featured Faculty: Dr. Aimee Roundtree (December 2014)

Dr. Aimee RoundtreeDr. Aimee Roundtree

Associate Professor Aimee Roundtree, who joined the English Department faculty this year, says she has always been fascinated with moments of translation and interpretation using technical information. As someone who specializes in technical communication, she describes what she does as “focusing on discourse in scientific practice and the public understanding of science.” Dr. Roundtree often works with communications regarding natural sciences and the medical field. “My work takes a rhetorical lens and applies it to technologies that scientists use to construct and disseminate scientific knowledge”

Dr. Roundtree first became interested in technical communication when she worked in public relations for the military and various hospital organizations after earning her bachelor’s degree in English and Philosophy. Additionally, she reported the health beat for a women’s magazine in New York City. There, she wrote health articles that translated medical information for a general audience.

Coming into technical communication from a philosophy background, she often finds ways that philosophy, rhetoric, and technical communication overlapped in her work: “We think science is about facts, but how we get to the facts has a lot to do with how we argue for them, and what to do about them.”

Working as a medical writer and communication specialist, she began seeing interesting patterns in how science and medical information was used; she made this topic her focus when she pursued post-graduate work at the University of Texas-Austin. She found that “rhetoric informs argumentation, which informs dialectic, which informs how scientists make and report scientific data.”

Her current scholarly work includes looking at the rhetoric of supernovas and climate change. Her hobbies include running and playing electric guitar in her spare time.

Featured Faculty: Dr. Cecily Parks (October 2014)

San Marcos, TX – Dr. Cecily Parks, a new assistant professorDr. Cecily Parks in the English Department at Texas State University, cites environmental literature and women writers as her major influences and research interests. Inspired by her own experience in the outdoors, Dr. Parks believed early in her life that there were interesting things happening in the dialogue between literature and the environment. These themes permeate her works; Dr. Parks’s poetry collections Field Folly Snow and O’Nights are both centered on the natural world. O’Nights Is scheduled to come out in April of 2015.

Dr. Parks earned her PhD in English and American Literature at City University of New York, and her MFA in Poetry at Columbia University. Her passion for poetry began when she took a creative writing class during her senior year of college in order to fulfil a credit, and it quickly became a favorite outlet. “I liked that I could write, but it didn’t feel autobiographical,” she states. “It led me to write about things outside myself. Poetry helps me think about the world.”

Although Dr. Parks is new to Texas State University, she has over ten years of experience teaching and has been widely published in poetry anthologies, prestigious literary journals, and essay collections. Her publications this year include Birdlands, which is a poetry and print collaboration with visual artist Ken Buhler; a poem entitled “Plastic Flower” in the anthology The Petroleum Manga; “Conversation Between Fox and Field” in Another Chicago Magazine; and a scholarly publication entitled “The Secret Swamps of Susan Howe in Secret History of the Dividing Line, Thorow, and Personal Narrative,” which appears in ISLE: Interdisciplinary Studies in Literature and Environment.

In her spare time, Dr. Parks enjoys outdoor activities such as hiking and cross-country skiing. She is especially excited about reading Marilynne Robinson’s latest work, Lila, which was released this month.

Featured Faculty – Leah Schwebel (September 2014)

San Marcos, TX – This year, the Department of Dr. Leah Schwebel, assistant professor at Texas State University English has celebrated the arrival of many talented new faculty members. Among the new professors and lecturers, Texas State University is excited to welcome Chaucer scholar Dr. Leah Schwebel as an assistant professor.

Dr. Schwebel received her MA from McGill University in Montreal, Canada; and her PhD in Medieval literature from the University of Connecticut, focusing on Chaucer and the Italian Renaissance.  However, her interests in medieval literature were not limited to her academic career: “I’ve been a Chaucerian since I was fifteen!” Dr. Schwebel proudly admits with a smile.

Dr. Schwebel’s interest in Chaucer began when she was young and was fed by her fascination with medieval studies and her love of classical myth. She explained that she became intrigued by the ways medieval studies retold classical myths. These interests are especially reflected in her PhD dissertation, “Re-telling Old Stories: Chaucer and an Italian Poetics of Intertextual Commentary.”

She has been published in several medieval literature and Chaucer journals, including Studies in the Age of Chaucer, Chaucer Review, and Dante Studies.  Among her current projects, Dr. Schwebel is co-editing a collection of essays on Chaucer’s Legend of Good Women that should be in print by April, 2017. She also is planning to present at four conferences this year, and will be chairing a session of the Northeastern MLA conference in Toronto with Dr. Kara Gaston.

Explaining her excitement about in her new position, Dr. Schwebel expressed her interest in participating in the Department’s Medieval and Renaissance Society. She stated that she is looking forward to meeting the people in the organization, and taking a leadership role in the Society.

Outside the classroom, Dr. Schwebel enjoys swimming, biking, and running. Last summer, she completed her first full-distance triathlon, the Ironman Lake Placid. Dr. Schwebel, who was always athletic, took up cycling while in Connecticut. She hopes to continue these pursuits while in Texas and plans on participating in Ironman Texas, held in The Woodlands.