Film Concentration for English Majors Explores Visual Texts

“I think I had [an interest in film] from the very beginning,” Texas State English professor Dr. Suparno Banerjee explains. “I started my scholarly writing with film.” Dr. Banerjee works to deepen his students’ understanding of course material by incorporating film into his classes and analyzing the themes within specific genres such as science fiction, which he often teaches. He welcomes exploring a text alongside its filmic adaptation, stating that “one major way of representing is in film” and comparisons of text and adaptation can reveal more about the issues presented in class.

To supplement the discussions of colonialism Dr. Banerjee held in several of his courses last Fall, he hosted a showing of Two Flags followed by a talk with its director, Pankaj Rishi Kumar. The documentary pertained directly to his course material in its exploration of the politics of the post-colonial town Pondicherry, India and allowed students to explore the representation of these issues on screen, as well as discuss them with the director in a Q&A session. Being able to discuss the work with other attendees, professors, and sometimes filmmakers or directors offered a unique experience for students to engage in a discussion of the issues that surface in their course texts.

Dr. Banerjee’s perspective on the value of teaching film as text and its important role in the English Studies is supported by the Film Studies emphasis offered to English majors. Requiring a subset of three Advanced English film elective courses distinguishes this degree path from the traditional English major. These classes cover such topics as Theory and Criticism in Film (ENG 3320), Writing for Film (ENG 3306), The Southwest in Film (ENG 3309), allowing students to personalize their academic investigations.  Whether students are interested in filmmaking, understanding various texts, or analyzing film alongside literature, the Film Studies emphasis prepares undergraduates to think critically about film. Integral to the development of the emphasis is Dr. Rebecca Bell-Metereau, its Coordinator, who explains that the program allows students to evaluate “film adaptation, try their hand at video editing, or explore such topics as gender, monster theory, politics, or conspiracy films.”

Senior Lecturer Jon Marc Smith recalls his own interest in film, which led him to pursue screenwriting after he completed his MFA in Fiction at Texas State. Smith explored the screenplay as a genre by reviewing academic film criticism and the history of film. This passion rewarded him, when in 2010 he co-wrote a screenplay that was made into a film, Dance with the One, featured at Austin’s SXSW Festival. That same year Smith created the Writing for Film (ENG 3306) class at Texas State, which is now one of the Advanced English electives approved for the emphasis. Smith also now teaches Writing for Film and An Introduction to the Study of Film (ENG 3307), allowing him to work with students developing the same interests he had. He believes the study of film helps students understand that “visual texts [that] are a part of modern life,” and that “learning to do filmic criticism or create visual media is directly relevant to most students,” regardless of their particular academic goals or interests.

Topics and themes explored in recent Film Studies courses include English Department Chair Dr. Victoria Smith’s Fall 2019 course Advanced Topics in Film: Mainstream Queer Cinema (ENG 3308), which evaluated Queer films as modes of representation and how they interact with their audiences, considering such elements as “filmic aspects – the mise-en-scene, cinematography, and editing.” In The Southwest in Film (ENG 3309), offered by Dr. McClancy this Spring 2020 semester, students evaluate Western film, investigating the filmic and cultural aspects of Westerns that “work to create place, ideology, and nation.”

From exploring colonialism, to queer theory, to nationhood, Film Studies courses reflect the diverse content offered in the English Department curriculum. Dr. Banerjee and Mr. Smith, like their colleagues teaching in the emphasis, see films as “visual texts,” providing an opportunity to apply the critical skills all Texas State English majors gain through their studies. Students interested in learning more about the Film Studies emphasis, its requirements, or the electives offered should visit the course catalog, speak with their academic advisor, or email Dr. Bell-Metereau (rb12@txstate.edu) directly.

 

Kennedy Farrell, English Major

Miscellany – February 17, 2020

MFA poetry student James Trask has six poems in the latest issue of Mudfish Magazine.  James was a finalist in their contest and read at their launch party in NYC on January 16.

Susan Morrison was an Invited Scholar and core participant in the multidisciplinary seminar on “Waste: Histories and Futures” at Rice University in mid-January. An interview with Susan on the joys of wandering the Texas State campus, conducted by Emily Cordo (MFA poetry student), appeared in TXST Connections: https://stories.txstate.edu/uniquely-texas-state/2019/a-wanderers-guide-to-txst.html.

“Spectrality and Spectatorship: Heterotopic Doubling in Cinematic Circuses,” by MA Literature graduate and Lecturer Whitney May, appears in The Big Top on the Big Screen: Explorations of the Circus on Film, from McFarland & Company.

MFA fiction student Clayton Bradshaw’s review of Cyrus Cassell’s The World that The Shooter Left Us appears in the latest issue of Borderlands: Texas Poetry Review.

Assistant Professor Cecily Parks’ poem “The Seeds” will appear in The Best American Poetry 2020; the anthology will be published by Scribner this fall. Cecily’s poem “December” appears in the February 14 issue of The New Yorker.

Miriam Williams and her co-author Natasha Jones won the 2020 CCCC Technical and Scientific Communication Award in the category of Best Article Reporting Historical Research or Textual Studies in Technical and Scientific Communication for their article, “Technologies of Disenfranchisement: Literacy Tests and Black Voters in the US from 1890 to 1965,” which appeared in Technical Communication. They will be presented with the award at the Awards Session of the 2020 CCCC Convention in Milwaukee, Wisconsin.

MFA fiction graduate and Lecturer Jay Cruz will present “Connected Hypermasculinity in Nineties Films and Today: Fight Club, The Truman Show, and Office Space” at the Far West Popular Culture Conference, taking place in Las Vegas from Feb. 21-23.

Steve Wilson’s poem “Seasonals” appeared in the 2019 issue of The Concord Saunterer: A Journal of Thoreau Studies, produced by the Thoreau Society. On Feb. 12, Steve read from his new book, The Reaches, at an event sponsored by the San Marcos Public Library to mark the collection’s publication.

MARC student Lea Colchado will present “Chola y Sola: A Chicana’s Fight To Find Her Voz En Academia (An Autohistoria)” at the La Chola Conference 2020, taking place at Mira Costa College in Oceanside California from April 23rd-24th.

Poetry International Online has just published a special feature of Cyrus Cassells’ border crisis poems: https://poetryinternationalonline.com/cyrus-cassells-a-chapbook-of-border-crisis-poems/. Cyrus also has an interview and two more border crisis poems in the new edition of Borderlands: Texas Poetry Review. His first-ever chapbook, More Than Watchmen At Daybreak, is due out from Nine Mile Books on April 6. I will be reading from it on March 30 at 5:30PM at Texas State. Cyrus Cassells also has been elected to the Texas Institute of Letters.

Christian Wallace

South of Texas State’s main campus, bands play nightly at the historic Cheatham Street Warehouse in front of a floor-to-ceiling, stage-lit Texas flag. Country classics, blues, original compositions, and local favorites such as George Strait’s hits, resonate within the honky-tonk – now preserved as a piece of local San Marcos culture. This lively musical hotspot draws students from the University as some of the visitors, musicians, and artists who fill the space. One of those students, now forever changed by his experience at Cheatham Street, is Texas State Alumnus and Texas Monthly writer Christian Wallace.

During his time at Texas State, while he completed his undergraduate degree in English, Wallace frequented the local Cheatham Street honky-tonk. Surprisingly, Wallace’s trips to Cheatham Street, where he embraced what he describes as a “vibrant community of artists,” influenced the subsequent thirteen years of his education and career. Cheatham Street was a place to explore and relax while attending classes at Texas State University, but the hangout also became a scholarly and journalistic interest for Wallace when he chose to focus his Honors thesis on the history of the establishment and local country music. During Wallace’s final years at Texas State, the location was in danger of being bulldozed before two Texas State professors purchased the space to prevent the destruction of this cultural hotspot – a potential loss that propelled Wallace’s research. Wallace completed his thesis, graduated from Texas State in 2007, and went on to earn a degree in Writing from the National University of Galway in Ireland. There, he explored Ireland’s culture through music, living with a group of artists and friends he made in this home-away-from-home. He began writing poetry to supplement his prose work, receiving acclaim and publishing several of his pieces in the States and Ireland. Wallace received a Pushcart nomination for a piece titled “Drought” that appeared in the Literati Quarterly and covered his experience working in a Texas oil field.

Today, Wallace is accomplishing a long-term goal of writing full-time for Texas Monthly. Having read the magazine his whole life, Wallace notes “[he] didn’t just want to write for a magazine, [he] wanted to write for Texas Monthly.” When Wallace returned to the States after graduate school, he realized to write for Texas Monthly he needed to secure an internship that would begin his career at the magazine. These internships, he found, were primarily awarded to students in exchange for course credit, so Wallace re-enrolled at his alma mater. Finding himself a student again, Wallace participated in the English department’s internship program, led by Internship Director Dan Price. This program allowed Wallace to pursue his Texas Monthly position, meeting only once every two weeks on campus to receive credit. Eventually, and because of his work as an intern, Wallace was able to advance to assistant editor in 2016.

His recent articles, achieving the most acclaim and exposure to date for his journalistic work, cover traditional Texas honky-tonks and their influence on the people who frequent them. Last year Wallace’s “Texas’s Greatest Honky-Tonk Hits,” was the cover article for Texas Monthly’s September issue. Facing away from the camera and leaning against a jukebox, Wallace himself is pictured on the cover of the magazine, selecting a song from the many Texas classics. This piece is currently a finalist for a National Magazine Award, which Wallace describes as “the Oscars of magazine writing.” He describes this project as symbolic of coming “full circle,” and returning to his academic interest in honky-tonks that started as a hobby while he studied at Texas State.

Currently, Wallace is creating episodes of a podcast that explores the West Texas oil boom and is titled “Boomtown.” Of all his projects, he claims this has been his most challenging. Wallace explains the thoughtful intention of scripting the pre-recorded show: if something needs to be changed “[he has] to go all the way back and re-record. It’s not like writing a story where [he] can just delete a word to change it.” This project has released episodes since December as weekly installments through Texas Monthly, showcasing Wallace as writer, reporter, and host.

As a journalist, his daily work may change from “reporting on a covered wagon in Houston, Texas” to “sitting in a basement listening to recorded archives,” as he prepares for and writes stories. Reflecting on the many hats he has worn in the time since completing his degree and achieving his dream of becoming a writer for Texas Monthly, Wallace recalls the resources he had at Texas State to help him reach his goals. Access to the Wittliff Collections, internship resources coordinated by the English Department, and professors available to offer advice are among the assets he valued most, seeing him through his time as a student and beyond.

 

– Kennedy Farrell, English Major